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Archive for June, 2010

Haikasoru in Scotland!

Anywhere near Scotland? Please check out the Leith Festival this weekend. A celebration of all things Leith—tours, sporting events, films, dining—the festival also contains a literature track and we will be there! Sunday, Sunday, Sunday!

Strangers in A Strange Land

A 14-hour literary mash-up. Where the wonderful, the ordinary and the weird collide…

All events un-ticketed – pay what you can on the door (suggested donation £3 per event)

A lot of great stuff will be here…but here’s the money panel:


17:00 Haikasoru/Simon & Schuster SF SCRAMBLE.
Author and Scotsman SF critic Andrew J. Wilson in discussion with translator Edwin Hawkes on the challenges and rewards of translating genre fiction. Interspersed with readings of the very best of Japanese science fiction, fantasy and horror in English, including a sneak preview of the forthcoming English edition of Tow Ubukata’s phenomenal bestselling Mardock Scramble.

Edwin and pals will be reading from Zoo and other Haikasoru titles, as well as the wonderful Mardock Scramble which, as you might have guessed already, Edwin is in the midst of translating for us. So head on down, and you can tell your friends in 2011 when the book comes out, “Oh, I knew about that months ago…

Haikasoru Marathon

Sesho Moro has written in to let me know that he’ll be dedicating his summer to Haikasoru. He’ll be reading all of our titles and reviewing them on his interesting anime/manga review podcast in order of their release.

So far we has podcast reviews of The Lord of the Sands of Time (review) and All You Need is Kill (review). He has a cute accent, so check out his podcasts. He does discuss the plots of the books in detail, so if you are one of those “spoiler” people, be ready to tear off your headphones at any moment.

And the hits just keep on comin’!

Thrilled to see an in-depth review essay of Slum Online by Paolo Chikiamco over at the Philippine Online Chronicles. (That’s right, we’re international!) Paolo sums it up here:


Slum Online is about the different worlds people inhabit, and how, despite that, we can still connect to something other than ourselves.

The reviewer goes on to say that Slum Online may not actually appeal to people looking for an action-packed fight novel or for people into following characters as they solve mysteries. And he’s right. When I was “selling” this novel last year—as an editor, I write catalog copy and make up clever little “selling points” for books that are taken by the sales department who then go to our distributor who then use the same lines on bookstore buyers who, I always hope, then lay the same rap on you on individual level—I decided that Slum Online was “Catcher in the Rye with virtual karate fights.”

In a way Slum Online isn’t science fiction as it is not primarily speculative—it’s not about future technology and its impact on life. Instead it’s a technologically aware novel about the way we live now, to use the old term. So the book, despite Sakurazaka’s success in the American movie biz, was a risk. Editing can be tedious; taking the occasional risk is what keeps our blood flowing here in Haikasoruland, and of course sometimes risks pay off. I’m glad that halfway around the world someone really “got” the book, and even better, that he happens to be a book reviewer! Thanks Paolo!

Who loves ya baby? The DENVER POST, that’s who!

Just came across this double-review of our hot new books, The Stories of Ibis, and Slum Online over at the Denver Post’s occasional science fiction column.

Ibis got the nod as an “excellent novel” “infused with the history of American science fiction.” Heck, that’s what I’ve been saying for months now! Columnist Fred Cleaver also dug Slum Online and especially enjoyed the novelette “Bonus Round”, which Sakurazaka wrote especially for you, to give Haikasoru readers a little something extra. (“Bonus Round” appeared in a Japanese-language anthology at almost the same time as our novel hit the shelves.)

Two out of three books reviewed in a leading newspaper’s book page are ours. The future is Japanese after all.


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