Haikasoru

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HARMONY [Archive]

Three Years

Haikasoru celebrated our two-year anniversary last month, but there’s another anniversary to celebrate…and it’s today! There years ago, on August 4th 2008, I reported for work here at VIZ for the first time. I had no idea what to expect; indeed, I didn’t even know that the imprint I’d been hired to edit had a name yet. Masumi Washington, my supervisor, revealed it—”Haikasoru!”—to me only after lunch.

I’d moved to California from Boston just three days before, and was little prepared. The only piece of furniture I had was a small two-seat couch I had ordered. My dog and I slept on that for a week until my bed arrived. I also had no pants, as I’d had to pack very quickly and had just shoved everything in my dresser into shipping boxes, rather than in my luggage for the flight over. I had no local bank, and with the expense of moving and shipping, just enough money to get to work and back. (Friends fed me for the first two weeks.) I’d also never had a full-time office job before—I was a full-time freelance writer and editor with some small reputation in science fiction, and I had experience in translation, albeit from the Korean and German. Occasionally though, things break out in favor of the “weird” candidate. It actually helped that I wasn’t steeped in anime and manga; the higher-ups wanted someone primarily interested in SF as opposed to Japanese popular culture specifically. So what if I couldn’t use a multi-line phone! (As it turns out, nobody ever calls me anyway.)

The greatest challenge was that in late July 2008, just as I was making my plan to take this job, the global economy shuddered and nearly collapsed utterly. I remember being in the airport, waiting for my ride to my new apartment which I’d rented sight unseen, and watching CNN. I wondered if I’d be stranded in California without a job or means to head back East if the banking crisis took down the already weak publishing sector. I still joke that, as far as I know, I’m the only person in publishing who actually got a job rather than lost one that summer.

Launching a new imprint is difficult in the best of times. Launching one into the teeth of a global economic crisis, and without any popular writers already known to Anglophone audiences, was an immense challenge. It continues to be one, of course. Kindle and other ebook formats have changed all the rules, and in the last eight months over 600 bookstores in the US have just melted into air. We also had to shake the early impression that Haikasoru was another “light novel” imprint—we publish some light novels, but also more mainstream SF—and we had to win the Anglophone SF audience over to a different mode of genre. It’s easy enough to get a lifelong fan to read a single example of Japanese science fiction. Our true task was to convince SF fans that reading that one title wasn’t sufficient for them to say, “Ah, so now I know what Japanese SF is like. I never need look at any such books again.” And we had to do this while competing for shelf space, differentiating our books from manga, creating an ebook strategy, and making sure that we represented Japanese culture and our Japanese authors appropriately. That meant resisting pressure to “whitewash” the covers of our books by keeping Japanese faces off of them, among other things.

And it’s been working. Some of our books have captured a dual SF and Japanese pop culture audience. We’ve had award nominations, like the Shirley Jackson award nomination for ZOO, and victories, like the Special Citation for the Philip K. Dick award for Harmony. I’ve been nominated for the Hugo award for Best Editor, Long Form. I’ll find out how badly I’ve lost the vote in just two weeks! SF readers are taking to our titles, especially the hard SF that’s heavily influenced by classic science fiction. Our readers from anime and manga fandom are endlessly supportive; we couldn’t do it without you guys!

Just how far have we pushed into the mainstream in just three years? Today, MTV Geek News is running an exclusive excerpt of our latest title, Good Luck, Yukikaze! From zero to MTV in three years? I’ll take it!

It’s been a great three years. I hope we’ll have many more together! If you like our books, tell your friends. If you’re eager for a little more leisure reading, check out our books. We’ll continue to experiment and explore every permutation of Japanese SF we can find, and we have a great new slate of titles for 2012 that we can’t wait to show you. Keep in touch, and happy reading. Remember, the future is Japanese!

PK Dick Award Report

We had a lot of fun at Norwescon 34 this week. As representatives of the Philip K. Dick Award-nominated Harmony, we appeared on panels, were treated to a banquet along with lifetime members of the convention, and participated in the ceremony, which was very nice. There were brownies!

I have to say that for a while I was fairly confident that Harmony would not win, but I thought we had a fair shot at the Special Citation prize. After dinner, however, which Masumi and I spent at the same table with awards administrator Gordon Van Gelder (publisher of The Magazine of Fantasy and Science Fiction) we were sure that we had lost. Mr. Van Gelder has an excellent poker face—no winking, no smiling, no subtle hints…nothing!

At the ceremony, there was a display of all the covers of the nominated titles. Here’s the one for Harmony, along with the actual physical citation it won:

Then the authors or their representatives all read from the work. We split duties—Masumi read a passage in Japanese, and I in English.

Then came the announcement of the winners:

Project Itoh’s father, Shin’icihi Itoh, had sent us some remarks, which we were thrilled to share. Here’s the acceptance speech in English, as translated by our co-worker Andy Nakatani. (In the video above, you can hear Masumi reading it in Japanese.)

I’d like to express my deepest gratitude to you all for honoring my son’s work with such a prestigious award. Although his was a short life, and he was a published author for only just over a year of it, I believe it was the encouragement and support he received from so many countless number of people that allowed him to continue to write as he battled against his illness.

When I first read Harmony, it was hard for me to come face to face with the difficulties my son had in trying to find peace with himself. He was fully aware of how short his life would be, and he desperately fought off the uncertainty that is death. I skimmed through his words until I came to the end, where he wrote in the Acknowledgments, “With thanks to my parents, and uncle and aunt, who were there for me in my time of need.” After which, I put the book down. Through his struggle against death, I believe he came to sense something amiss in this uncertain modern society of ours, and he wanted to convey some kind of hope to people. If he received this award on such a basis, I think Satoshi would be very happy. Thank you so much.

We’d also like to congratulate the winner of the PK Dick Award, Mark Hodder, who won for his Burton & Swinburne in The Strange Affair of Spring-Heeled Jack.

Winner! (of Special Citation)

A picture is worth 1000 words:

Norwescon Cometh

This week is Norwescon, which we’ll be attending! Harmony has been nominated for the Philip K. Dick Award and fun will be had by all. I’ll even be participating in a few panels. Not all of them have to do with Japanese SF, but I’ll be pleased to answer questions about Japanese themes. I’ll likely miss my earliest panel at 11AM on Friday (I’ll be in the airport still!) but these I’ll show up for:

Friday 3pm Cascade 9 Editing the Novel
Editing a 5,000 word short story is one thing - how do you edit a 100,000 word novel? A panel of professional editors discuss their own experience in editing the novel - how to keep a work that long consistent, how to maintain energy and enthusiasm, how to liaise with the author over the long haul, and how to decide how long or short a novel should ultimately be.
Kelley Eskridge, Shannon Butcher, Lou Anders, Nick Mamatas, Jana Silverstein

Friday 7-8:30pm Grand 2 The Philip K. Dick Memorial Award Ceremony
Join us for the Philip K. Dick Memorial Award, presented to the best original paperback novel published in the USA for 2010.
William Sadorus, Gordon Van Gelder. And you can watch the presentations streaming live Ustream TV. I promise not to burst into tears if we lose. Or win.

Saturday Noon Cascade 7 Basic Writing Help – Horror Writing
How far is too far in a horror story? Should all the gore be included in your novel? Should you just go for everything you want or do you need to tame it down to find an audience?
Jenna M. Pitman, Stina Leicht, Jeff Burk, Nick Mamatas

Saturday 8pm Cascade 5&6 Not Another Monster Story
If you’re tired of reading the same zombie or vampire stories over and over again, our panelists will recommend other horror fiction you should be reading.
Jenna M. Pitman, Eric Morgret, Jeff Burk, Nick Mamatas

Saturday 10pm Cascade 10 Making It Out Of the Slush Pile
What are editors looking for; what makes a story stand out? What do writers need to do in those first ten pages to make their story or book catch the editor’s attention?
Jude-Marie Green, Patrick Swenson, Nick Mamatas, Lizzy Shannon

Hope to see some Seattle Haikasoru fans in attendance!


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