Haikasoru

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Space Opera. Dark Fantasy. Hard Science.
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Praise For The Lord Of The Sands [Archive]

Like Henry V???

Our pals at io9.com have reviewed our launch titles to great glee and joy here at HQ.

All You Need Is KILL: Sakurazaka consciously constructed All You Need Is Kill like a great video game. In this he is mostly successful. The reader will feel immersed into Kiriya’s dilemma, not just through the all the action but also through his internal struggle to keep from giving up, to puzzle out what the hell is happening.

The Lord of the Sands of Time: ...there’s a great deal of passion to be found in The Lords of the Sands of Time. More of a tease than a spoiler— there’s a stirring speech to the troops in the penultimate act that has the same punch as Shakespeare’s St. Crispin’s Day Speech. Yeah that’s right, I just referenced The Forever War and Henry V …

Aw yeah!

The Countdown continues or, Old Man’s War

When people here at work started asking me about the audience for Haikasoru books, I learned very quickly that shrugging and saying, “People who like science fiction, and adventure, and Japan” was not a satisfactory answer. Marketing people like demographic information. Well, they like demographic hunches at least. Nobody was outfitting me with the means to engage in large-scale consumer preference studies, after all. I mean, we’re talking about books here, not video games or movies. It’s the difference between selling to the tens of thousands instead of the tens of millions.

My hunch was that our primary audience would be those people in their late teens and early twenties I started calling “manga graduates.” That had a sort of buzzy, hip appeal. It made salespeople, even vice presidents, nod and point their chins in glee. “Yes, yes, manga graduates. That’s right. That sounds good.” But my secret hunch, indeed my secret dream, was that the old guard of fandom would like Japanese SF too. It’s more optimistic and fun than the sometimes dour stuff coming from the West. But it is also organically fun and wild and high-concept, instead of being so in a self-conscious retrograde opposition to the New Bleak.

Looks like I’m a genius! To wit, The Crotchety Old Fan (self-proclaimed) writes that All You Need Is KILL:

is destined to become a classic, at least in its English language translation. …

This story will find a place amongst the seminal military science fiction works pantheon - Starship Troopers, The Forever War, Ender’s Game (the latter I’ve only read in original magazine form; I don’t believe it belongs in the pantheon, but that’s probably colored by my distaste for the (fairly recent) political screeds of its author - many others do include it); it even manages to draw in elements of Gerrold’s War with the Chtorr series (which is itself somewhat of an homage to RAH’s Starship Troopers).

Seriously, he likes the book better than I do! Read the balance of Crotchety’s comments here at his recent blogpost.

Aside: I almost typed “Crotchy” rather than “Crotchety” up there. Looks like this post will earn a coveted “it was a monkey!” tag.

Anyhow, I’m excited and in less than a week you too will have the chance to see what got some Old Fan to drop his cane and dance around the room. This calls for an enormous number six!

big numeral six

Temple Library likes The Lord of the Sands of Time too!

Our pals at Temple Library Reviews quite enjoyed The Lord of the Sands of Time, writing:

There is a lot of ingenuity behind the storytelling technique. The novel itself develops through two main storylines. Orville’s desperate attempts to stop the world’s destruction in Ancient Japan and his journey from the future down through time line to time line, losing battle after battle. There are constant jump from age to age, from state of mind to state of mind, yet all feels right and organic.
Read the rest here.

Pop Culture Shock gives THE LORD OF THE SANDS OF TIME an A!

And it’s not like these guys grade on a curve either…

Sci-fi vets will find plenty of common themes to lure them in, while even the casual or reluctant reader can use Hubbert’s eminently readable version to find a time-jumping, mind-boggling good time within. It’s not exactly a top shelf masterpiece, but The Lord of the Sands of Time puts most of its pop fiction fellows to shame.

Read the rest here.


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