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USURPER OF THE SUN [Archive]

Usurper Rocks

hawkwind

Back when we were in pre-production for Usurper of the Sun (in stores Sept. 15), there was a lot of talk about the book’s title. To wit: It sounds like a friggin’ King Crimson song title. Some people thought this was a bad thing. The Haikasoru inner circle, however, thought it was pretty cool.

King Crimson was a highly influential prog-rock aggregate back in the day. Their music was adventurous and trippy, and they had a penchant for goofy song titles like, “Larks’ Tongues in Aspic,” “Entry of the Chameleons,” and “Happy Hour on Planet Zarg.” When you think about it, even the group’s name could easily substitute for the title of Housuke Nojiri’s novel: King Crimson = Usurper of the Sun.

Lots of musicians have taken their inspiration from the world of science fiction. Look at Sun Ra, George Clinton and David Bowie, for goodness sakes. Prog rockers in particular have freely borrowed from science fiction, fantasy, mythology, and dystopian imagery. It’s their thing. If there was one quintessential space-age prog band, it might be Hawkwind. Their songs were a crazy muddle of hippie heavy-metal ambient space rock. And their album covers were pretty cool too. Hall of the Mountain Grill (1974) hits the SF sweet spot dead on.

Progressive rock has mutated over the years (Mastodon, anyone?), but for my money the greatest oddball prog band in the galaxy remains Magma. They were preposterous, thunderous, and apocalyptic. The classic line-up split during the Seventies, but various original members pop up occasionally to wave the Magma flag. Last time I was in Italy, in fact, I saw a flier for an upcoming show.

Paul Levinson, author of The Plot to Save Socrates, calls Usurper of the Sun a cross between Arthur C. Clarke and Haruki Murakami. But to my ears, the novel is a mix-tape of King Crimson, Hawkwind and Magma. In a word: Rocket!

The Hugo Awards!

Just popping in here to mention that tonight in Montreal is the Hugo Awards ceremony. While your handsome Haikasoru editor didn’t win, we’re all thrilled that Stephen Segal (and Ann Vandermeer) won for best semi-professional magazine with Weird Tales. Stephen is not only the managing editor of the legendary magazine, he is the designer of the interiors for some of our forthcoming titles, including next month’s Usurper of the Sun. So congrats! A Hugo for the venerable magazine, which helped launched the careers of H.P. Lovecraft and Robert E. Howard back in the pulp era, is decades in coming.

Oh, btw, I’m tooootally eligible for Best Long Form Editor next year, Hugo voters!

The terrifying world of tomorrow…today!

The BBC is reporting that astronomers are puzzled by a strange bright spot which has appeared in the clouds of Venus. Even better, the spot was first observed by an amateur astronomer.*

In what one hopes is unrelated news, I received here in the office my advanced copies of Usurper of the Sun, a hard SF novel (and Seiun winner!) that details in its earliest chapters the discovery of a strange bright spot on Mercury by an amateur astronomer, namely high school girl Aki Shiraishi. Fun novel or horrifying guide to our grim future of climactic collapse and alien invasion? YOU decide.

* Oh, I’m sure the Venus spot is just volcanic activity and not aliens breaking the planet apart to build a ring around the sun. Totally, absolutely sure. I have no idea why I created a “Holy crap, we’re all gonna die!” tag.

The Countdown continues or, Old Man’s War

When people here at work started asking me about the audience for Haikasoru books, I learned very quickly that shrugging and saying, “People who like science fiction, and adventure, and Japan” was not a satisfactory answer. Marketing people like demographic information. Well, they like demographic hunches at least. Nobody was outfitting me with the means to engage in large-scale consumer preference studies, after all. I mean, we’re talking about books here, not video games or movies. It’s the difference between selling to the tens of thousands instead of the tens of millions.

My hunch was that our primary audience would be those people in their late teens and early twenties I started calling “manga graduates.” That had a sort of buzzy, hip appeal. It made salespeople, even vice presidents, nod and point their chins in glee. “Yes, yes, manga graduates. That’s right. That sounds good.” But my secret hunch, indeed my secret dream, was that the old guard of fandom would like Japanese SF too. It’s more optimistic and fun than the sometimes dour stuff coming from the West. But it is also organically fun and wild and high-concept, instead of being so in a self-conscious retrograde opposition to the New Bleak.

Looks like I’m a genius! To wit, The Crotchety Old Fan (self-proclaimed) writes that All You Need Is KILL:

is destined to become a classic, at least in its English language translation. …

This story will find a place amongst the seminal military science fiction works pantheon – Starship Troopers, The Forever War, Ender’s Game (the latter I’ve only read in original magazine form; I don’t believe it belongs in the pantheon, but that’s probably colored by my distaste for the (fairly recent) political screeds of its author – many others do include it); it even manages to draw in elements of Gerrold’s War with the Chtorr series (which is itself somewhat of an homage to RAH’s Starship Troopers).

Seriously, he likes the book better than I do! Read the balance of Crotchety’s comments here at his recent blogpost.

Aside: I almost typed “Crotchy” rather than “Crotchety” up there. Looks like this post will earn a coveted “it was a monkey!” tag.

Anyhow, I’m excited and in less than a week you too will have the chance to see what got some Old Fan to drop his cane and dance around the room. This calls for an enormous number six!

big numeral six


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