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Worldcon [Archive]

The VIRUS giveaway contest

Hey hey, it’s been a while Haikasoruphiles, but we’re back with a brand-new giveaway contest. Just in time for the winter holidays, we’re releasing Virus: The Day of Resurrection in hardcover by Sakyo Komatsu, and we’re giving away four copies. Komatsu’s name should sound familiar—he’s the author of Japan Sinks and was a guest of honor at the 2007 World Science Fiction Convention (you know, Worldcon) in Japan—the first ever Japanese Worldcon.

Virus is a classic from the 1960s and was made into a feature film in 1980. (Enterprising people can find the whole thing on YouTube.) In it, a virus from space is altered by scientists and becomes an unstoppable killer. Soon, there only ten thousand human being left alive—on Antarctica. Then the survivors get some bad news…


Is this guy walking home from Antarctica because he left a pot roast in the oven?

Which brings us to our giveaway! Virus posits the end of the world via human folly and space germs. How do you think the world might end? Or will it ever? Do you find the whole fascination with the end of the world fascinating, endearing, or just stupid? Write us a little essay of 50-200 words, or poem, or whatever, leave it in the form of a comment on this post and you might be one of four lucky and skillful winners. (We don’t choose winners randomly; we pick the comments we find the most entertaining.) Feel free to write in English, Spanish, Japanese, German, French, or Greek, and we will ship anywhere!

Check back on Friday the 16th, at noon Pacific, when we announce the winners!

Finally, the ICO giveaway contest

Well, we had a great time at Worldcon. We did not win the Hugo, but we met lots of great people, had two wonderful panels on Japanese and cross-cultural science fiction, and made novelist N.K. Jemisin jump up and down and glee by presenting her with a copy of ICO: Castle in the Mist by Miyuki Miyabe.


The new hotness.

And now it’s your turn to jump up and down! We’re giving away four copies of ICO, to the readers with the best answer to this question:

What makes ICO such a great videogame anyway. Describe why it stands out from the pack to someone not familiar with modern gaming.

Of course, we’ll take answers in English, Spanish, German, Japanese, Greek, or French. You have till Friday at noon, Pacific, to post your answer as a comment to this blog post. Then we will select four winners and send those free copies out immediately. You don’t need to be in the US to play—we ship everywhere!

Worldcon!

I will be participating in this year’s World Science Fiction Convention, Renovation. Worldcon is the most important of SF cons—as opposed to full media conventions—and the most prestigious. I’ve attended in the past, but never as a Hugo Award nominee. As some of you may remember, I’m up for Best Editor, Long Form, for my work here at Haikasoru! You’ll be able to watch the ceremony live via Internet, or follow along via a text stream at 8PM Pacific, Saturday August 20th. Exciting stuff!

Also, I’ll be on several panels, some of which involve Japanese science fiction. Here’s the full list.

Thu 14:00 (A05) 1 hr
Remembrances of Joanna Russ
Joanna Russ was one of the field’s first feminist writers and a leading literary critic. While many are familiar with her fiction and her critical work, her influence went far beyond that. Our panel remembers Joanna Russ, and assesses her personal impact on them and on others in the field.

Fri 17:00 (D03) 1 hr
Post-Modern Fantasy, Epic and Otherwise
There’s been considerable discussion of Fantasy, Fantastika, and Post-Modernism. What is this about, and why is it interesting for those who read, review, or critique present day fantasy?

Sat 11:00 (D03) 1 hr
Fantasy and Horror in the New Century
What to look for and where to find the darker side of literature.

Sat 14:00 (A09) 1 hr
Speculative Japan
Science fiction is a well-established literary field in Japan, with an energetic fandom that hosted the 2007 Worldcon. Yet, Japanese SF is not much read in North America. How has Japanese SF developed over the past forty years? How does it address both traditional Japanese literature and Western ideas, as well as current cultural and literary developments?

Sat 16:00 (A03) 1 hr
Cross-Cultural Influences in SF
How are cross-cultural influences manifested in Science Fiction? We look at the impact of both modern and ancient cultures on on SF. How, say, has American SF been affected by Japan? What are the trans-Atlantic influences in play? We expect a wide-ranging discussion.

Sun 11:00 (A03) 1 hr
Revolutions in SF, Fantasy, and the Real World
Revolutions vary from the disparate traditional tropes of the French and American revolutions to non-violent revolution (Gandhi’s India), The entrenched power may be colonial, class-based, or simply authoritarian. How well does SF & F represent the ideals and ambiguities of revolution, the need to rebuild, and the cultural stresses that result.

There’s also another panel of interest to Haikasoru fans, which I will not be participating in, but which I will certainly attend as an eager audience member:

Fri 17:00 (A04) 1 hr
Seiun Awards: An Introduction to Japanese Science Fiction
This panel will give you an update on what’s going on in the various fields of Japanese science fiction: novels, films, and fanacs. What is more, the panelists will carry out the Seiun Awards Ceremony in order to celebrate the winners of the 2009 and 2010 Seiun Awards, the Japanese equivalent of Hugo established in 1970.

Famous American Seiun winner John Scalzi will be on this panel, so be sure to pepper him with obscure trivia questions about the Seiun!

We hope to see some of you there!


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